Zack Arias, The One Light Man

The start: 15 years ago, I decided I wanted to be a photographer and we never had internet, or blogs to read or DVDs to learn from like you do now. So I went to Art School, and I dropped out of Art School because I was very much a technical person (I need to know the why), but it turned out instead that photography is a touchy emotional feeling, and I was looking to earn money out of a career rather than taking it as an art form. Then I found a very small commercial photography program at a technical school; it wasn’t a big university. When I was in school, I started assisting photographers every chance I got. I did that for about 3 or 4 years; working for other photographers and studios. I did that while I was trying to building up my portfolio and building my business. It took me a lot of time and effort to do it. My Style: Clean and simple. I’m a great believer in content over technique. In my heart, I’m a photo journalist but I’m making my living from commercial photography. How long have you been a professional photographer? I’ve been a professional photographer, making a living from it, for around 7½ years. How do you prepare for a photoshoot? I usually take the mood from the clients; what they want in the pictures (urban or natural landscape, light, happy, dark, etc….). I also ask the clients to give me some pictures that they love and hate. I never copy those pictures, but I can get what they like and don’t like from them. After that, I try to build the idea, physically through moving decoration around and putting on hip hop music to help me in my brain storming. Your favorite lens / camera / equipment: My favorite camera is the Nikon D3. My two favorite lenses are 35 mm F2 and the 105mm F2. For the lighting equipment, I have a whole bunch of Nikon flashes, SP80DX. For personal work I have mamiyaRZ67, I shoot film. During Sessions how many photos do you take, to get the right one: I average somewhere about 50 to 60 pictures an hour. I have to make time, it is very important. Right now, I have a huge personal project that I’m preparing for. Website to share: www.aphotoeditor.com Awards: No, I’m not one for entering contests. Last 4 Photoshoots: One of them is my personal project. Children’s clothing company (2 shoots) Country band in the USA My advice to new photographers: Make the most of the equipment you have At the end of the day it’s not about what camera or equipment you have. A word to your fans: I am just a guy. I appreciate that I got connected to people and get respect from people. But honestly, I have a hard time with that, since I do not know how I got here, ‘coz I’m only doing my thing. Word for LPMAG: I wish you all the luck in the world - keep on keepin’ on!   Workshops and Photography training DVD: http://www.OneLightWorkshop.com Zack runs photography workshops and also has Photography training DVD, Check out his website for more info about the award Telly award winner "One Light DVD" www.zackarias.com email: studio@zackarias.com http://www.OneLightWorkshop.com Facebook fan page: http://www.facebook.com/usedfilm  

Eric Kim, Street Photographer - By Rita Kamel in a shutter click

Eric Kim, Street Photographer - By Rita Kamel in a shutter click

Main camera: Canon 5D.
Main lens: Canon 35 mm F/2
Post-processing software: Adobe Photoshop CS5, Silver Efex Pro, Lightroom 3.
Favorite lighting: Golden Hour (before sunset).
Favorite time to make photographs: During my lunch breaks at work.
Favorite season to make photographs: When it is rainy.
Favorite music while making photographs: The sound of cars on the streets.
Your dream equipment: Leica M9 and Leica Summilux 35 mm F/1.4
Favorite photographer: Nils Jorgensen.
Favorite quote related to photography: “If your photos aren’t good enough, you’re not close enough.” – Robert Capa

Eric Kim, street photographer

Why photography? What do you hope to achieve?
I love photography because it gives me an opportunity to slow down in my everyday life and appreciate the places and people around me. I want to show people the beauty of ordinary people and things.
Which photograph do you consider is an example of surreal photography? In what sense?

UFO

I consider my photograph: “UFO”, a quite surreal image. I find it surreal because the structure above the man in the bike looks out-of-this world, very similar to an UFO. When I saw this scene unfolding before my eyes, I imagined the “UFO” about to pick up the man on the bike and take him to another galaxy.
Which photograph made you fear for your equipment? What is the story behind it?

Together in the rain

I shot this photo in Seoul, Korea during the summer when there would be irregular but strong rains. I was inside a bar, and suddenly it started pouring outside. I then saw these two ladies about to walk into the bar, and I jumped outside (nearly getting soaking wet) to capture this shot. My camera was a bit wet, but overall okay.
What style attracts you most? Why?
There is no comparison, I love street photography. I feel that through this style, I am able to capture the rawness of life. Street photography is spontaneous and I have no idea what is going to happen next. Not only that, but the thrill of getting a once-in-a-lifetime shot is unexplicable.
How far do you go with post-processing?
When processing my images in black and white, I use the Photoshop plugin called “Silver Efex Pro.” By far it is the best black and white conversion software out there, as it allows me more control of my conversions. Not only that, but I can add grain to my images (which I love to do).
What motivates you to grab the camera and go make a photograph?
I love to make photographs in the street because it gives me a sense of calm and peace. Not only that, but I love the feeling of waking up every morning knowing that there is something new to make a photograph of.
Tell us about a weird thing you do or a weird habit you have before a photoshoot:
I clean the front element of my lens using my breath and t-shirt.

Describe your feelings during a photoshoot: 
When I am shooting on the streets, I feel connected to the people around me. I am able to see a deeper insight into their lives through the images I capture. At the end of the day, I feel that I share the same experiences as them in living everyday life.
Ethically, what are your limits in photography?I try not to take photos of homeless people. In most cases I think it is just getting an “easy shot” which uses the misery of others as a crutch. I think that taking these types of photos are not only overplayed but tactless as well. There are cases when people can take tasteful photos of homeless people, but it is something I try to avoid.
3 tips / advice to other photographers:

1. Always carry your camera with you everywhere you go – everywhere.
2. Only show your best work.
3. Shoot everyday.

How to stay updated with your work?
Website: http://erickimphotography.com
Blog: http://erickimphotography.com/blog
Twitter: http://twitter.com/erickimphoto
Flickr: http://www.flickr.com/photos/ekizz
Facebook: http://www.facebook.com/erickimphotography

Article Republished for LPMAG.me





Editor Rita Kamel
Blog: Ritakml.info
Twitter: http://twitter.com/ritakml
Flickr: http://www.flickr.com/photos/ritakml/
Facebook: http://www.facebook.com/ritakml

ModelMayham.com (MM) Beirut?

Source www.lpmag.me
Model Mayhem  is a Platform and a network for professional & amateur models, photographers, makeup artists and stylists to meet and exchange talents. It is really helpful for those who want to advertise on the site, or those who are new to the industry… You can even be a veteran who has years of experience.
And the best part that it is for free.
Why MM is important?
I recently joined Model Mayhem late last year, and have already generated a lot of business, exposure and contacts from the site, (on top of my regular clients and network.)  After sifting through the creeps and deadbeats, I eventually met and worked with a lot of great models and MUA!
Currently in Lebanon there are only 21 person registered in ModelMayham, and I would like to see this number growing.
Some MM Frequently asked questions:
How long does it take a new profile to be approved?
It could take anywhere from one day to a week. To help expedite the process, it’s in your best interest to upload as many photos as possible and provide a nice substantial bio.
My profile was denied! What gives?
If you were given the option to re-submit your profile into the queue, you simply didn’t meet the requirements for Model Mayhem. Please read over them carefully and try applying again. If you were NOT given the option to re-submit, then that means your profile is not allowed on Model Mayhem.
What is VIP?
VIP is our premium subscription service. By signing up, not only do you instantly become a superstar, but you also get access to:

• Increased number of photos (100 instead of the normal 20)
• Increased number of private messages (100 per 24 hours instead of 15)
• Increased number of announcements (1 every 5 minutes instead of every 30 minutes)
• Ability to opt out of seeing ads on the site
• A cool VIP icon that follows you were ever you go on the site
• And an ever-updating set of new features and functions that we’ll continue to roll out

I’m being told that I am over my photos limit?
This is a result of you once being a VIP, getting access to the 100 photo limit, and then having your VIP membership status be canceled and so now your limit is back to 20 photos.
What does TFP Time or prints mean? TFCD? TF*?
Time for Prints
Time for Print (referred to as TFP) is an agreement between the photographer and the model where neither charges for their time. The photographer compensates the model with a number of printed images that are normally retouched and unframed. This allows the model to gain valuable experience dealing with various photographers, to practice in a working environment and to add photographs to their portfolio. The photographer gains experience has the time to experiment with differing techniques and to also add to their portfolio.
Why the TFP concept is important
There are many new models, parents of models, and individuals who'd like to be models but may not be able to afford the cost of employing a photographer to create professional images for their portfolio. Also, many photographers who wish to build up their own portfolio may not be in a financial position to employ professional models. Time for Prints and Time for CD allows for a fair exchange of time and skills by both parties. This brief guide gives an overview of what to expect.
What is GWC?GWC is an acronym for “Guy with Camera.” It’s a derogatory term for an amateur photographer. And it has taken the intraweb by storm thanks to MM. It usually implies that said guy is only interested in photography in order to get hot ladies to get naked for him.
Model Mayham for networking in couple of steps:
Present yourself well.
The first step to networking on Model Mayhem is to have your profile, portfolio pictures, and stats as appealing, professional, and up-to-date as possible. If you've gained or lost weight, say so! Stretching the truth in your stats is a dishonest move, and one that will not be appreciated if you show up to a scheduled shoot looking different than you portrayed yourself online. Also, make sure that your profile blurb clearly conveys important information that will be of interest to potential collaborators, such as what type of work you do, what type of collaboration you're seeking (TFP/pay/both), and other useful details.
Work the forums.
A great way to meet other Model Mayhem models/photographers/others is on the forums. Including "Newbie Forum", "Model Colloquy", and "Photography Talk", just to name a few, the forums get a lot of action, and therefore are the perfect place to get your name out in front of a lot of people at once. Just be sure to present yourself professionally at all times (forum drama is rampant, and quickly undermines the professionalism of those who engage), and to keep in mind the forum rules as you post.
Get in touch with the Lebanese community.
Third, you can always use the "browse" function to search for Model Mayhem members in your area. View their profiles, leave messages on their "wall", or send a private message. This is an invaluable tool for getting to know others!
Post a casting.
If you're looking for Model Mayhem members for a specific project, or will be traveling out of town and wish to collaborate with others while in another location, try the "Casting/Travel" section. Here, you can post casting calls that will be seen by any photographers/models/makeup artists/etc who search the database.
Make an announcement.
If you are trying to draw attention to your Model Mayhem profile, try the "Model Mayhem Announcements" on the front page. If you scroll to the very bottom of the page, you will see "Make an Announcement". Click on this link, and you will be taken to a screen where you can type a short message to be displayed on the front page. Then, when others view the front page of Model Mayhem, your avatar, name, and message will be displayed, potentially prompting them to visit your profile! Keep in mind that this function is busy and popular, and your message will not be displayed for more than a few seconds. Still, due to the aforementioned traffic, this still affords you the opportunity to get your name and message out there in front of a large number of people.
http://www.modelmayhem.com/

Roberto Cavalli Photography Exhibition Open to the public tomorrow, Thursday November 18th, in the halls of Palazzo Morando at Via Sant’Andrea

Open to the public tomorrow, Thursday November 18th, in the halls of Palazzo Morando at Via Sant’Andrea 6, is the photographic exhibition of "Il nero non è mai assoluto" by Roberto Cavalli, organized in collaboration with the Department of Culture for the City of Milan.

“This exhibition is my diary, where there are no days or dates, but rather a path that tells my life story.A small selection from my photo archives, giving everyone access to my creative process, which in turn leads to the printing of my fabrics.My prints are always the result of my photos and are the foundationsof my clothes.The most normal object has the ability to stir distant memories in my mind and become a source of inspiration for a collection or even a simple detail on a dress.I have those moments, things, people, unchanging in my head and on my camera.I have looked at a black sky and waited patiently, for hours, for the sun to shine through.You see, black is never absolute.There is always light behind it”.                                              
Roberto Cavalli

"What better set than the Palazzo Morando for an exhibit fusing Fashion, Costume and Images in one artistic project.  It is also a setting in which one follows the three “S”: stories, stupor, seduction.  Every one of his photographs is the helm through which Cavalli has directed you toward actual destinations, which are, above all, not physical but mental places”.
 Massimiliano Finazzer Flory  - City Councillor of Milan

Roberto Cavalli is not a photographer. Roberto Cavalli is a visionary.
Through his lens, Roberto Cavalli captures, moulds and transforms a moment from one of his continual journeys all over the world, a detail of the silhouette of a flower in his garden, the bright colours of the skin of a “character” from the animal world that he finds so fascinating, the fast, the ever-changing transformation of the clouds in the skies that he crosses. The image he creates is not limited by the borders of a frame: this too is incessantly transforming and evolving, interwoven with fabric it reappears in a pair of jeans, reworked once again it becomes the fine embroidery on a woman’s back, through modern technology it is a print for an interior.

This exhibition tells of a magical journey, offers the possibility of accompanying Roberto Cavalli on his flights of fantasy, of experiencing his search for visions, as he is used to doing.
An exhibition in movement, in constant elaboration: sharing the camera lens and at the same time turn it into an iridescent kaleidoscope where thousands of images continually render others, in a series of varying and infinite processes.
Projections, the refraction of light and colour, mirrors for imaginary architecture, a quest for other universes. A maze as a game, the playroom, hundreds of reflective bubbles that ironically deform reality.
To "see" in a different way.
                                                   
Art Director: Luca Stoppini
Architect: Barbara Ghidoni / Storage Associati

Palazzo Morando Costume Moda Immagine
Via Sant’Andrea, 6 - Milano.

LPM ISSUE 04 Photographer Cover Competition

  ARE YOU A PHOTOGRAPHER?

            DO YOU WANT YOUR PHOTO TO BE ON THE NEXT COVER? Then this competition is for you

Issue 04 Cover Photography Competition Rules:

-Lebanese Amateur Photographers

-Age: over 18
The Task is:

To Submit two hires self-portrait creative pictures with a nice background

New Photos never used before and Exclusively for Lebanese photography Magazine

Send them to info@lebanesephotographymagazine.net

Once submitted, 6 Finalists will be selected for voting, on Facebook

 And our jury members will choose the issue 04 cover winner depending on creativity and originality.

The contest Opens from November 1 till December 24 2010 Midnight.

No entries received after deadline will be accepted

The selected participant will win:

Front cover of Issue 04

Diana Camera - LOMOGRAPHY

One year Flickr pro account

http://www.facebook.com/Lebanesephotographymagazine.net

Exclusive interview with Nancy Afyouni, A Classy professional Women

 WE HAVE MOVED FOLLOW US.

WWW.LPMAG.ME

LPM: Introduce yourself, who is Nancy? Where did you study? What did you work?

Nancy: I have studied Finance at AUST. I have started modeling after Miss Lebanon 2003.

I worked as a presenter at Rotana, in the same time I was doing modeling and advertising.

I was the public image for watch Motion in the Middle East and Europe.

In addition, I participated in many music video clips.

A year ago, I started working in Turkey, I was the first Lebanese to work on a Turkish Arabic channel, and  I did two shows (One cooking show and the second one a big production that hosts movie stars and famous singers).

As well, I did a movie that is due now to be released now at New Year, with Yury Mrakadi.

Also I have recently done many other events in Greece and in Egypt.

LPM: What are your hobbies and interests?

Nancy: Sports, swimming, music, and horseback riding.

LPM: What advice do you give for the aspiring models?

Nancy: Concentrate and choose top of the top.

Especially when starting fresh in modeling, a lot of options are offered from TVs, agencies, people whom are in the business.

The model should choose what puts her and best presents her and pretty image.

LPM: How do you prepare yourself for a photo shoot?

Nancy: For indoor photo shoot, I prefer a classy, elegant look, with a makeup that shows my details

Wherever for outdoor photo shoot, I prefer a natural look with a simple makeup and comfortable clothing.  

   

LPM: How would you describe working with a photographer?
Nancy: I did work with all of the photographers in Lebanon.

It is an important aspect, that the photographer knows the model beforehand and is aware of the best positions suiting  the model, since the photographer can see things with a different eye.

Noting that the photographer have to love the photography, in order for him to put the same effort that the model is doing.

LPM: Who’s your favorite photographer, you ever worked with?

Nancy: Vatche, MKI, JC Bejjani.

LPM: How does a model compliment the photographer?

Nancy: The model is an essential part of the picture; she fulfills the concept and the mood of the whole scene that the photographer is seeking.

LPM: What makes a stylish woman?

Nancy: Always taking care of herself (body and look). She have to follow the fashion but in a classy way.

Rudy: What was fun about Modeling and what did u achieve?

Nancy: Modelling is a school of life, you meet lots of people, you learn about beauty and glamour, and you work with a team.

Rudy: What is the difference between Lebanese Models and Foreign Models?

Nancy: The negative difference for Lebanese Models is that they moan a lot, also that the exposure is small in Lebanon not allowing an international exposure.

The international models have more chances and more exposure but forbidden from many stuff like lacking of privacy and freedom, since while working with an agency, they need permission for anything.

In Lebanon, modeling is more of a hobby rather than a profession.

LPM: What is your favorite look?

Nancy: My favorite look is with family and friends, it is a natural classical look.

In an event, I always prefer something simple, youthful and too fancy.

LPM: Will we see you behind the camera?
Nancy: No I don’t think so but I had a project, but due to the overwhelming work I couldn’t achieve it yet. In this business you learn a lot, I think maybe in later stages, I might do a production house.

Rudy: What do you say for your fans?
Nancy: In every interview, every picture, every appearance, I find their comments helpful and satisfying.
They give me that feeling that whatever I do is successful.
Especially the youngsters, they are too active they say a lot of constructive comments.

LPM: What do you say for Lebanese Photography Magazine?
Nancy: What you are doing is very nice, something new.
It’s like when TV started and where is TV now?
So is the internet now, and since you are online you have a broader reach.
Nice concept and idea, wish you all the success.

Nancy Afyouni By MKI

Nancy Afyouni By MKI

Nancy Afyouni By MKI

Nancy Afyouni By MKI

Nancy Afyouni By MKI

Nancy Afyouni By MKI

Nancy Afyouni By MKI

Nancy Afyouni By MKI

Nancy Afyouni By MKI

Nancy Afyouni By MKI

Exclusive interview with Toufic Araman, and Award winning Simplistic Photographer

 WE HAVE MOVED FOLLOW US.

WWW.LPMAG.ME

 LPM: Who is Toufic Araman? Introduce yourself, where did you study, how long have you been in photography, starting point, etc… 

Toufic: I have spent my early childhood in Lebanon then moved to Egypt in 1982.  I studied “Economics and Fine Arts” at the American University in Cairo.  In 2001, I landed a job in Dubai where I worked as a Training and Development Director in a multinational then an independent Business Consultant.  In Dubai, I started taking photography workshops and courses. A close friend of mine gave me an SLR camera with two lenses in 2003.  It had changed my life.  It was a shock for me to know that I can paint that easily and in a social way too.  Painting required a lot of solitude which I could not handle!  In 2006 I decided to go to New York to study photography at the “International Center of Photography, ICP” and the “School of Visual Arts, SVA” New York. 9 courses in 8 months were a challenged but I did it.   ICP focused on the conceptual side of photography and SVA on the technical side gave me a huge push.  I came back in 2007 and I stared my career as a full time photographer.  

LPM: How would you define yourself who is Toufic Araman as a photographer?

Toufic:I don't define myself as anything more than an observer; I don't give solutions, I simply reflect. My work takes the viewer through the journey of my thoughts, towards the exact feeling or moral I try to reflect. I want to be labeled as an effective communicator, and let that be through photography, painting or film.

Photographs are not real. They reflect the reality of the person behind the lens. Photography is very subjective, as a photographer I will choose my angle, and so the frame will reflect only what I have chosen to capture.

I don't build my creativity on a person's influence; however, I admire the pioneers, as they define the concept of uniqueness (individuality) to me. They dared to do the different against the mainstream, thus becoming the first in history.

I am will shoot anything creative, that has a strong concept behind it, be it fashion, food, interior or advertising. 

LPM: How would you describe your style?

Toufic:Simplistic, minimist and I depend on lighting to make my images to look the way it looks.  Light always play a character in my pictures. But ultimately, what makes a stunning picture is the team that puts together (i.e. model, makeup, stylist, everything)

LPM: What advice do you have for new photographers?
Toufic:

1- Shoot things that usually people don’t shoot
2- Don’t go for something usual and shoot things you like to shoot

3- Be pushy, and always ask yourself what the message you are trying to convey 

LPM: Did you get trained by another photographer?

Toufic:No. I am a self-taught never worked for anybody. I assist few for a day or two but the workshops I took and looking at other people’s work helped me a lot.

Some of my teachers in New York pushed me so hard that has affected my personal life not only my skills.   

LPM: How do you prepare for a photo shoot?

Toufic:I am meticulous.  Everything has to be well planned beforehand; I try as much as possible not to leave any details unknown.   Things have to be documented with the stylist and makeup artist etc.  I do a lot of brainstorming with my team.

LPM: What do you add to the photo when the client tells you this and that? 

Toufic:My clients leave space for me to develop the idea.  However, sometimes when shooting advertising, the picture sketch comes in a very specific format of how it should look like. Therefore my job is to help my client bringing to the concept to life in my own style.

LPM: How do you work out on the composition of the picture? 

Toufic:Many people work on rules (rules of third etc…), but I do not think about it.  No composition rules is the rule.  Breaking the rules making it less predictive.  It is a boring to predict an image.  

LPM: What distinguish a professional model from a non-professional one?

Toufic:Creativity, acting skills and knowledge of photography are very important criteria.  Experience makes a huge difference; they will help you make your images come to life.  They can tell the outcome of the photographs by knowing what lens and light you are using.  They basically become part of the team.  

LPM: What makes Lebanese photographers different from others / in the area photographers?

Toufic:They have more guts they can push it and this give them advantage in the region.  We live in somehow a more moderate society than anyone else in the region.  

LPM: What is your favorite lens? 

Toufic:I have no favorite lens.  It depends on what I am shooting, for example, for the portrait I shoot with 35 mm, 85 mm and 50 mm.  They use to tell me the longer the lens the better compact perspective of the picture and it makes the face look good.  I sold my 70- 200 last year, cause I have discovered that the closer to the people the more emotion you get out of them.  Wide angle lens tells a story.  I mainly use prime lenses; 35, 50, 85 mm and 90 tilt and shift, 24 tilt shift

LPM: What is your lighting equipment?

Toufic:I use profoto and bownes.  More and more I am using less artificial light and depend on natural light.  When I started photography I wanted every piece of equipment, now, I am ending up now using less and less equipment.  It is not a matter what equipment you have it is a matter of what you do with them.  For my last underwater shoot I just used a 35mm for the whole shoot and did not change the lens.  

LPM: A typical question what are you using, medium format or 35 m? 

Toufic:I use Mainly Canon 1Ds mark III.  I also own Mamiya RZ67 but I prefer Canon.

It doesn’t matter, you can use a Holga and get the same results, you don’t need a fancy camera.  It is not how big the file; it’s what is in the file.  I have all lenses but I want to be flexible, and faster, don’t like to put the camera on a tripod.  Putting the camera on a tripod makes the image looks staged.   I use it handheld, it gives me flexibility.
I’m using now the live view feature especially for interior; I shoot tethered and style the shot on the computer monitor.  

Technical Scope.
LPM: How was Angham picture taken?
Studio highlight, and lighting setup, Camera
 

  

Lighting Setup:

LPM: In general during a session to take the shot how many picture you take.

Toufic: It really depends, sometime just one and others 50 to 100.

LPM: Do you still have time to shoot for yourself something you love?

Toufic:Not as much as I would like to. But yes I do at least once in a month, I do a personal shoot.  You have to develop yourself so you need to test.

LPM: Can you share a website or blog you visit often?

Toufic:http://www.pdnonline.com. It is a magazine and a blog; it is the biggest photography business portal in America, for example how to budget your studio.

LPM: Who are your Famous Clients?
Toufic:

Qatar airways

LeoBurnett
JWT
American express
Starwood (owners of Sheraton, meridian, four points etc...)
And now I started shooting singers in a creative way; my first was Angham the Egyptian singer.

LPM: What awards did you win and some of your exhibitions?

Toufic:I won four main awards. Gulf photo plus best advertising photo 2008. Gulf photo plus 2006 photo of the year. Grapheast 2005 and just recently a shoot I have done for Qatar Airways won second place for a fashion shoot in Australia The creativity print award.  My work was exhibited in Noordelicht, Holland, Brecht Forum, New York and Dubai Gulf Art Fair, UAE.  I currently am taking part at The House of Frida show in ground 68 in Beirut.

LPM: Last four photo shoots?
Toufic:

Raffles Hotel, KSA
Angham
Qatar airways magazine, fashion editorial
shahiya.com

LPM: What do you say for people that love your work? 

Toufic: Good Luck Hope you will always love my work.  Remember to tell me why. 

LPM: What do you say for Lebanese photography magazine? 

Toufic: Having this number of people interested in your website in this short time, is an AMAZING JOB.  Keep up the good work.

Contact info:
Website: www.aramanstudio.com
Facebook: www.facebook.com/aramanstudio
Phone: +961 71 600 140
Email: toufic@aramanstudion.com