Monday, November 8, 2010

Exclusive interview with Toufic Araman, and Award winning Simplistic Photographer

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 LPM: Who is Toufic Araman? Introduce yourself, where did you study, how long have you been in photography, starting point, etc… 
Toufic: I have spent my early childhood in Lebanon then moved to Egypt in 1982.  I studied “Economics and Fine Arts” at the American University in Cairo.  In 2001, I landed a job in Dubai where I worked as a Training and Development Director in a multinational then an independent Business Consultant.  In Dubai, I started taking photography workshops and courses. A close friend of mine gave me an SLR camera with two lenses in 2003.  It had changed my life.  It was a shock for me to know that I can paint that easily and in a social way too.  Painting required a lot of solitude which I could not handle!  In 2006 I decided to go to New York to study photography at the “International Center of Photography, ICP” and the “School of Visual Arts, SVA” New York. 9 courses in 8 months were a challenged but I did it.   ICP focused on the conceptual side of photography and SVA on the technical side gave me a huge push.  I came back in 2007 and I stared my career as a full time photographer.  


LPM: How would you define yourself who is Toufic Araman as a photographer?
Toufic:I don't define myself as anything more than an observer; I don't give solutions, I simply reflect. My work takes the viewer through the journey of my thoughts, towards the exact feeling or moral I try to reflect. I want to be labeled as an effective communicator, and let that be through photography, painting or film.

Photographs are not real. They reflect the reality of the person behind the lens. Photography is very subjective, as a photographer I will choose my angle, and so the frame will reflect only what I have chosen to capture.

I don't build my creativity on a person's influence; however, I admire the pioneers, as they define the concept of uniqueness (individuality) to me. They dared to do the different against the mainstream, thus becoming the first in history.

I am will shoot anything creative, that has a strong concept behind it, be it fashion, food, interior or advertising. 

LPM: How would you describe your style?
Toufic:Simplistic, minimist and I depend on lighting to make my images to look the way it looks.  Light always play a character in my pictures. But ultimately, what makes a stunning picture is the team that puts together (i.e. model, makeup, stylist, everything)


LPM: What advice do you have for new photographers?
Toufic:
1- Shoot things that usually people don’t shoot
2- Don’t go for something usual and shoot things you like to shoot
3- Be pushy, and always ask yourself what the message you are trying to convey 

LPM: Did you get trained by another photographer?
Toufic:No. I am a self-taught never worked for anybody. I assist few for a day or two but the workshops I took and looking at other people’s work helped me a lot.

Some of my teachers in New York pushed me so hard that has affected my personal life not only my skills.   

LPM: How do you prepare for a photo shoot?
Toufic:I am meticulous.  Everything has to be well planned beforehand; I try as much as possible not to leave any details unknown.   Things have to be documented with the stylist and makeup artist etc.  I do a lot of brainstorming with my team.


LPM: What do you add to the photo when the client tells you this and that? 
Toufic:My clients leave space for me to develop the idea.  However, sometimes when shooting advertising, the picture sketch comes in a very specific format of how it should look like. Therefore my job is to help my client bringing to the concept to life in my own style.


LPM: How do you work out on the composition of the picture? 
Toufic:Many people work on rules (rules of third etc…), but I do not think about it.  No composition rules is the rule.  Breaking the rules making it less predictive.  It is a boring to predict an image.  


LPM: What distinguish a professional model from a non-professional one?
Toufic:Creativity, acting skills and knowledge of photography are very important criteria.  Experience makes a huge difference; they will help you make your images come to life.  They can tell the outcome of the photographs by knowing what lens and light you are using.  They basically become part of the team.  


LPM: What makes Lebanese photographers different from others / in the area photographers?
Toufic:They have more guts they can push it and this give them advantage in the region.  We live in somehow a more moderate society than anyone else in the region.  


LPM: What is your favorite lens? 
Toufic:I have no favorite lens.  It depends on what I am shooting, for example, for the portrait I shoot with 35 mm, 85 mm and 50 mm.  They use to tell me the longer the lens the better compact perspective of the picture and it makes the face look good.  I sold my 70- 200 last year, cause I have discovered that the closer to the people the more emotion you get out of them.  Wide angle lens tells a story.  I mainly use prime lenses; 35, 50, 85 mm and 90 tilt and shift, 24 tilt shift


LPM: What is your lighting equipment?
Toufic:I use profoto and bownes.  More and more I am using less artificial light and depend on natural light.  When I started photography I wanted every piece of equipment, now, I am ending up now using less and less equipment.  It is not a matter what equipment you have it is a matter of what you do with them.  For my last underwater shoot I just used a 35mm for the whole shoot and did not change the lens.  


LPM: A typical question what are you using, medium format or 35 m? 
Toufic:I use Mainly Canon 1Ds mark III.  I also own Mamiya RZ67 but I prefer Canon.

It doesn’t matter, you can use a Holga and get the same results, you don’t need a fancy camera.  It is not how big the file; it’s what is in the file.  I have all lenses but I want to be flexible, and faster, don’t like to put the camera on a tripod.  Putting the camera on a tripod makes the image looks staged.   I use it handheld, it gives me flexibility.
I’m using now the live view feature especially for interior; I shoot tethered and style the shot on the computer monitor.  




Technical Scope.
LPM: How was Angham picture taken?
Studio highlight, and lighting setup, Camera
 




  
Lighting Setup:




LPM: In general during a session to take the shot how many picture you take.
Toufic: It really depends, sometime just one and others 50 to 100.


LPM: Do you still have time to shoot for yourself something you love?
Toufic:Not as much as I would like to. But yes I do at least once in a month, I do a personal shoot.  You have to develop yourself so you need to test.


LPM: Can you share a website or blog you visit often?
Toufic:http://www.pdnonline.com. It is a magazine and a blog; it is the biggest photography business portal in America, for example how to budget your studio.


LPM: Who are your Famous Clients?
Toufic:
Qatar airways
LeoBurnett
JWT
American express
Starwood (owners of Sheraton, meridian, four points etc...)
And now I started shooting singers in a creative way; my first was Angham the Egyptian singer.


LPM: What awards did you win and some of your exhibitions?
Toufic:I won four main awards. Gulf photo plus best advertising photo 2008. Gulf photo plus 2006 photo of the year. Grapheast 2005 and just recently a shoot I have done for Qatar Airways won second place for a fashion shoot in Australia The creativity print award.  My work was exhibited in Noordelicht, Holland, Brecht Forum, New York and Dubai Gulf Art Fair, UAE.  I currently am taking part at The House of Frida show in ground 68 in Beirut.

LPM: Last four photo shoots?
Toufic:
Raffles Hotel, KSA
Angham
Qatar airways magazine, fashion editorial
shahiya.com


LPM: What do you say for people that love your work? 
Toufic: Good Luck Hope you will always love my work.  Remember to tell me why. 

LPM: What do you say for Lebanese photography magazine? 
Toufic: Having this number of people interested in your website in this short time, is an AMAZING JOB.  Keep up the good work.

Contact info:
Website: 
www.aramanstudio.com
Facebook: 
www.facebook.com/aramanstudio
Phone: +961 71 600 140
Email: 
toufic@aramanstudion.com 















Over View of EOS-1D Mark IV The fifth generation of Canon's speed-orientated


Overview
One year since it's original release the 1D Mark IV  Offers a comprehensive combination of speed, accuracy and image quality, the EOS-1D Mark IV is the perfect choice for professional photographers and subjects on the move. With a completely redesigned 45-point AF system including 39 cross-type points, a new AI Servo II AF focus tracking system with improved algorithm combined with 10 fps continuous shooting, the EOS-1D Mark IV can handle even high-speed situations with ease. An APS-H sized 16.1 Megapixel CMOS Sensor, Dual DIGIC 4 Image Processors, a spectacular ISO range of 100 - 12800 (up to 102400 in H3 mode) with an advanced noise reduction system helps ensure sharp, low-noise images even in low-light situations. Add advanced Live View shooting, Full HD movie recording with selectable frame rates and manual exposure control plus a host of new features that enhance every facet of the shooting process. The EOS-1D Mark IV is the choice of professionals looking for the ultimate in SLR performance.

Features

Professionally Proven, High-Speed AF.

The EOS-1D Mark IV has a newly developed, high-precision Area AF sensor with 45 manually selectable points including 39 cross-type, high-precision AF points for exacting and fast focusing no matter the subject. New AI Servo II AF focus tracking features improved algorithms that help improve stability, reliability and focus no matter the situation. Whether shooting a fast-paced soccer game or shooting a close-up of a bee on a wind-blown flower during macro photography, AI Servo II AF helps ensure sharp focus every time. AF point selection has been improved as well. Photographers can select their own point through either the camera’s Multi-controller or Main Dial/Quick Control Dial. Automatic selection is as simple as the press of a button. With Custom functions, photographers can select their own default focus point to automatically switch between horizontal and vertical shooting and can even choose to have primary focus supported by adjacent focus points for more accuracy with moving subjects.

Specifications

Type
Digital AF/AE SLR
Recording Media
CF Card Type I and II, SD/SDHC Memory Card (1 slot each), UDMA Mode 6 CF cards and/or External media (USB v.2.0 hard drive, via optional Canon Wireless File Transmitter WFT-E2/E2A or Wireless File Transmitter WFT-E2 IIA*)
Image Format
1.098 x 0.73 in./ 27.9 x 18.6 mm (APS-H size sensor)
Compatible Lenses
Canon EF
Lens Mount
Canon EF mount


Recording Format
DCF 2.0 (Exif 2.21): JPEG, RAW and RAW+JPEG simultaneous recording possible. Multiple options for recording images on two memory cards, and onto compatible external USB hard drives (via optional Wireless File Transmitter WFT-E2/2A, E2 IIA*)
Image Format
JPEG, RAW, M-RAW, S-RAW (Canon .CR2) MOV
File Name
The file name can be set to one of three formats:


1. Factory-default, four-character alphanumeric name


2. Any four characters (User setting 1)


3. Any three characters plus the image size (User setting 2). If 3 is set and an M-RAW image is taken, the fourth character will be "M." The above three settings also apply to the file name for movies. If 3 is set, the forth character will be "_" (underscore).
File Size
JPEG
1) Large: Approx. 16.00 megapixels (4896 x 3264)
2) Medium 1: Approx. 12.40 megapixels (4320 x 2880)
3) Medium 2: Approx. 8.40 megapixels (3552 x 2368)
4) Small: Approx. 4.00 megapixels (2448 x 1632)
LOSSLESS RAW
1) RAW: Approx. 16.00 megapixels (4896 x 3264)
2) M-RAW: Approx. 9.00 megapixels (3672 x 2448)
3) S-RAW: Approx. 4.00 megapixels (2448 x 1632)
Folders
Folder creation/selection enabled
Recording Functions
(1) Standard


- No automatic switching of recording media


(2) Automatic switching of recording media


- When the current recording media becomes full, it switches to another recording media automatically and continues recording


(3) Separate recording


- Set the desired image size (L, M1, M2, S, RAW, M-RAW, S-RAW) for each recording media before shooting


- The image size set for one captured image will be applied to all the recording media


(4) Recording of identical images


- The same image is recorded to all recording media. (Also possible withRAW+JPEG.)


- Movies cannot be recorded simultaneously to multiple recording media


- If simultaneous recording has been set, movies will be recorded to the recording media set with [Play] on the [Recording func+media/folder sel.] screen.


- If a still photo is taken during movie shooting and (3) or (4) has been set, the still photo will be recorded to each recording media in the image size that was set.
Backup Recording
Enabled


- With external recording media connected via WFT-E2 IIA* and WFT-E2/E2A (Firmware Ver. 2.0.0 or higher).


- Two options: 1. Quick backup (Backup folder created automatically and folder name set automatically.), 2. Backup (Backup folder created manually and folder name can be entered manually.)


- Images in the card are backed up in the external recording media's root directory based on the card's DCIM folder structure.


* This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.
File Numbering
(1) Continuous numbering (2) Auto reset (3) Manual reset (the image numbering is reset to 0001, a new folder is created automatically)
Image Copy
Image copying between recording media enabled (images with checkmarks or all images in folder or card)
Color Space
sRGB, Adobe RGB
Picture Style
Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Def. 1-3



Macro Photography - How to guide

Macro photography is taking close-up photos of small things and objects. Small objects (such as flowers, and insects...etc) in macro photography are generally larger than the things you are taking pictures of when doing micro photography.
This kind of photography requires a special lens that is optimised to focus sharply on small details. What photographers love the most about macro photography is that it allows them to see a different new world of details that is unnoticed by the naked eye.
The lens is usually specified to focus down to "1:1" or "life size".
Macro photography be done using any of the below techniques:

Reverse lens technique
All what you have to do is that you have to reverse the lens the opposite way it is supposed to be. With this technique you will be able to produce great quality macro photos without spending a dollar on any other macro expensive lens. But note well that you won’t be able to change the aperture due to the lens being detached.





Macro Lenses
The best macro lenses are the newest autofocus mount models made by Canon and Nikon. Each lens will focus continuously from infinity to 1:1.
Sigma, Tamron, and Tokina make excellent prime macro lenses. Those brands may result to a better quality photo than your own manufacturer’s lens.

We call too dark photos under-exposed and too light ones over-exposed.
A lot of photographers prefer working with sunlight or normal nature lighting, but a big percentage of them prefer using flash. Such as kenrockwell.com “Flash lets you easily shoot at f/32 and stops any action or camera motion. Available light is asking for trouble, since you'll be shooting at large apertures eliminating any of what little depth of field you might have, or will lead you to perilously long exposures at smaller apertures.”
Macro lenses are great, because you can use them as normal and telephoto lenses. So you don’t need to buy another lens of the same focal length.
As for the Aperture now. If you’re still a beginner and feel a bit confused about how to get the best result. Your camera helps by offering modes such as Aperture Priority (which usually is “A” or “Av”).But, try it for yourself and find what works best and suits you the most.


Extension tubes
When you focus a lens you turn a ring on the lens barrel that is geared to move the lens in and out of the camera, toward and away from the film. The further away the lens is from the film, the closer the focus. But lenses have only so much travel built in to them, so there is a limit to how close you can focus. By adding extra space between the lens and the camera body, you move the lens away from the film and thus focus more closely than you would otherwise have been able to. Closer focus, more magnification.

close-up filters
There are attachments that contain magnifying lenses that screw on to the threaded front of your lens. These go by various names: close-up attachments, diopters, close-up filters. They are essentially reading glasses for your lens. They have the advantage that there is no light loss, as there is for lens extension; they have the drawback that, being an extra optical element in the light path, they will degrade the image quality to some extent.
Arriving to the camera support, usually photographers prefer hand holding, especially when the object is alive (like butterflies, and bees… etc)




Lighting
With macro photography, if you are shooting with available light, the fact that you are shooting a small target means that the light is easy to modify with reflectors and diffusers. You don't have to cover much area with your reflector or diffuser. But as described above, you are likely to be using long exposure times to maximize depth of field. If you are using lens extension, the exposure times will be just that much longer. If you are shooting indoor still-lives, that isn't such a problem, but if you are shooting outdoors then a slight breeze can kill you. If your subject will move in the breeze, you can always try to stabilize it with wire, clothespins, twine, or whatever is at hand, just so long as this won't harm the subject.
Special ring flashes are made which surround the lens with a circular flash tube, so the subject gets light from all directions at once. 




Now that you know enough of Macro photography, what are you waiting for? Grab your camera and start shooting!
Article for LPM by Mario K